lovely remixes by chopstick & johnjon, end of tape + dale!

long awaited lp debut from this oklahoma group, who recorded these tracks back in the 80s, but for whatever reason most of them never got released. especially check out the instrumental from >whos girl are you?< an incredible synth/disco track! a very good job has been done on the mastering, considering these tracks were mastered from an old cassette tape!tip!

tiga continues his series of remix 12 s for songs from his 2009 album ciao! the ambitious project features some of the most respected and sought-after producers in dance music!

get ready for an analog ride. these 80s multi tracks are all we have left from creative mind, crunch. hurricane katrina wiped out the home studio and master recordings. now back from the bayou, every struggling sound, tape flutter, and disco hiss are re released on vinyl, and sounding extra dirty.

2001 double 12inch remixes!

bootleg is a mixture of laptop based rythmic cut ups, shouty punk collages and a return to the sweeter more melodic stuff. dont miss it!

full artwork sleeves. electronic / dubstep label kinnego records started by boxcutter out of northern ireland is back! after the success of the first release (by boxcutter himself) he introduces the masses to a producer named space dimension controller... the techno funk alias of 19 year old jack hamill. following on perfectly from boxcutter and kinnego fluxs a familiar sound on kgo001, it features 2 tracks of deep, loved up electro. equally inspired by both the tape warped soundtrack to garth merenghis darkplace and early aphex twin, jacks all analogue production gives his tracks a timeless sound thats a mile away from contemporary electro and house. the beats are low slung and funky, and the melodies are addictive and show a natural flair. on the love quadrant, a girl / boy vocal exchange sets the scene while the track builds momentum, before the whole thing spaces off on a sweet minimoog solo. on the flip, electropod 250 collision has a deep 808 pulse and flanged bass, topped off with detroit inspired melodies and blurred out reverbs.

under the stewardship of alan fitzpatrick (drumcode, figure, bedrock), 8 sided dice is considered one of the most exciting techno labels to emerge in recent times. 9 hours later, amsterdam, gas mask and continue led carl cox, adam beyer, dubfire, john digweed, nic fanciulli and len faki to champion the label, catapulting 8 sided dice on to playlists across the globe. ..

world renowned bbc radio 1 dj gilles peterson compiles a spectacular collage mix tape from the vaults of far out recordings for this fifteenth anniversary celebration. a close friend to joe davis for 25 years, gilles peterson has been a constant supporter of the original and best uk based brazilian record label.

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

yore returns with yet another deep master piece. javier alvarez, a madrid based producer and proprietor (along with his younger brother dubbyman) of the underground label deep explorer music, brings his relaxed above smoke sound to the yore imprint. in the first of four warm and atmospheric mood pieces, awfully drapes dense synthetic winds over a deliciously grooving, bass prodded deep house pulse. get down does exactly that with five funky minutes of rhodes chords, disco hi hats, and synth swirls, a percolating bass line lends the track a propulsive charge, while crowd voices give the cut a party vibe. on the b sideÆs ôthe fixö javier scatters chopped fragments of the spoken line, i ve got a lot of shit to say and i cant say it all in one day, i cant say it all on one piece of tape, over a funk house groove, after which dubbyman offers variations on the theme in his remix of the track, dubbymans version digs deeper into the cuts bass science and warms the tunes slinky pulse with hand percussion and claps. old school in its embrace of classic house sounds, above smokes ep is tailor made for those who like their material laid back, groove centered, and funky.

hot city is dropping some severely skewed house music, twisting it up with his own blend of jackin chicago house, 2step/ukg, and bass bumpers. with only two tracks sent out to a handful of the finest djs around in the past few months, he s secured two gigs playing out at wifey, certainly the most fun club in london at the moment, and managed to generate a fair amount of hype already:
- smash, this is a mega rave hit bro, nice one! - drop the lime (t&b / nyc)
- very nice, thanks for this, will def play it - hudson mowhawke (warp / glasgow)
- i really like both these tracks, kinda minimal garage, very cool - hannah holland (batty bass / london)
the tracks on this new 12 inch build on the momenetum, with two tracks of stripped down dancefloor killers - >yeah!< is a monster builder, all todd edwards style swing and tight edits with crazy deep kicks, chopped up vocals, old school piano stabs, soaring strings, and hands in the air breakdowns. already being played out by drop the lime (check his latest exclusive mix for fact magazine where he opens his set with >yeah!<). >head work< on the b side is on more of a masters at work/harddrive era tip - deep garage beats tripping over themselves, burbling oddity synths, shuffling snares and the weirdest vocal melody breakdown/build-up ever!
the originals are complimented on the 12 inch by two remixes - tvo takes yeah! to another dimension altogther with a head destroying 140bpm hardcore junglist remix. on the flip, san franciscos eats tapes take >head work< into the wonkiest area of minimalist techno, showcasing their totally unique take on future groove.
the ep has been mastered by the irrefutable shawn hatfield/twerks special touch, bringing out the strengths of each track and tweaked for that perfect crisp warm vinyl pressing.

excellent floor rockin remixes by lars wickinger, sven wegner and end of tape

dfa complete the set of black meteoric star tracks onto vinyl with >dreamcatcher/dawn< on the third and final 12 from the album. gavin russom has created a unique tribute to the early days of synth and drum machine experimentation with this project, inhabiting the spirits of everyone from giorgio moroder to ron hardy with hypnotically brilliant effects. >dreamcatcher< is another undiluted jam at 120bpm, sounding like a lo-fi moroder tripout with gorgeous arpeggiations swirling in a pool of shallow resonant tape hiss. >dawn< on the flip is the slowest track on the album, a sub 100bpm psyched electro-soul groove with cracking handclaps and an uncompromisingly lo-fi attitude. dead cool.

michel cleis has been on a streak of strong releases in 2009, lead by his highly popular la mezcla on cadenza!!

fist of facts began life in a basement studio on ludlow street, downtown manhattan, in the mid-80s. the bastard child of liquid liquids salvatore prinicipato & ken man caldeira (part of the liquid liquid extended family and original liquid idiot member) the band lasted nearly a decade during which they created a uniquely downtown new york sound. these tracks sat in storage on cassette tape for 25 years are a part of music history. none of them have ever been heard by the public and it will be released as a hand numbered, 4 colour sleeve limited to 500 12 inches.

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

killer new moby single!!! on pale horses my friend amelia is singing, shes holding a $20 microphone, no headphones, just singing it with me holding the lyrics in front of her pointing to the words. she didnt know the song before she sang it, so her performance has a vulnerable and almost na ve quality. after, i put her vocals on an old 1/8ö tape machine and re-recorded them back into the song. i wanted them to sound as if they were recorded 50 years ago... including remixes from gui boratto, apparat, and empyrean...

old school buddies mike regan and ray pulling finally get to put their stuff on wax. both based in the merseyside area, they have both had thorough misadventures in music and like nothing more than a good mix tape or cd!!

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

ltd repress !!! wow, wahnsinns gefühlvoller marek hemmann remix der unter die haut geht !! stachy & gunjah bringen im >end of tape mix< die message für den partystart und erinnern dabei an alte kompakt-zeiten

the debut release from steve summers. three amazing raw and unpolished chicago tracks. shake the house is a magic track that has been recorded on an old analogue tape recorder (hence the noise). stereotype acid that sounds like a early 808 state jam or a guy called gerald. messages from the past and waves are genuine old chicago house tracks. two tracks that are essential for everyone enjoying old joe lewis and fingers inc releases. crazy low-fi tracks that are just a lot of fun! we couldnt stop playing this in the office... cant wait to play it from nice shiny black wax!

some would say the chicken lips label is long overdue, but lipservice is worth the wait as it promises the very best from augmented cl clan of dean meredith, andy meecham, stevie kotey and johnny spencer - a collective who have remixed just about everyone, spawned a thousand copycats and destroyed a few floors in the process. the inaugural lipservice release sees the chaps unleash zeefungk, one of their most popular and rare guises. the a-side is occupied by >robot eyes< - a splendid slice of electro-disco-funk which is vintage chicken lips. acid bass and loose drums combine with keys which progress wonderfully to create a really special piece of dancefloor tomfoolery. next up is >feast of freeks< (stevie koteys tape edit), a new edit of a track featured on the bands now-classic >extended play< album but never released as a 12inch. the bearfunk main man and all round gent delivers a tweaky, driving uptempo disco monster which climaxes in some trademark kotey madness. >robot lips< closes the packages and displays more of the guys unreal keyboard work as the groove stays steady but the hands go hyper. riddled with vintage synth work, >robot lips< is heads down business and no mistake.

last part , maybe the best

the vendetta singles ep series continues with javi mula, mason and ivan pica & oscar l feat silvya moore!!

rmxs by kaiserdisco & patrique !!>…pojehali!< (the russian expression for >lets go!<) said juri gagarin and started his flight. juri gagarin the soviet cosmonaut and the first human being entering space. on the 12th of april 1961 he started his spectacular space travel and circumnavigated the globe in about 108 minutes with his spaceship wostok1.

another serious result from our warehouse rummaging! si begg is a man of many musical personalities, his list of aliases is impressive to say the least (bigfoot, buckfunk3000, lenny logan, s.i. futures, zygmunt janowski...). but one of his oldest, and certainly one of his strangest, is cabbage boy. in fact i confess i am old enough to remember his releases in the early 90s on cassette tape under the umbrella of the >cabbage head collective< (which also included such techno notables as cristian vogel & tim wright) - and pretty mental they were too. the lost tapes vol. 1 doesnt disappoint on that front, containing such gems as a remix of 80s pop mysteries frank chickens>we are ninja<, and an electronic cover version of >king kong< by frank zappa (ask your parents...). totally out there, but totally cool at the same time...highly recommended to anyone looking for something with some real personality amidst the hard-drives full of faceless (and usually nameless) digital fluff

muzik mix tape winner alison marks has come a long way, outlasting the magazine that initially brought her to prominence. john tejada is one of her many admirers and no doubt, this ep will win her many more. very cool headphone house that translates perfectly to the deeper floors around 3 a.m. as well as a great soundtrack to the all back to mine sessions- a deep and meaningful tech lesson.

incl tracks by edit, paul birken, tsr and hroove asylum, track b2 taken from dont 001

the only major song from prince’s classic film, purple rain, to have never previously been released... finally, after 25 years, comes dez dickersons lost minneapolis classic, >modernaire<, mastered from a newly discovered tape recording. as if that wasn’t enough, the record also features a freak-a-holic cover version by egyptian lover. keeping the spirit and energy of the original alive, there are remixes by hot persuasion, dmx krew and faceless mind, driven by the searing beats of the 808 and linndrum. backed by a disco-machine version by complexxion, this is the sound of the modernaire!

at salad is the new alias of dj/producers leo elstob (a mountain of one, faith etc.) and rupert lyddon (grand national - sunday best)..... theyve spent the last few months trawling their 50.000 strong record collection and carefully re-editing, re-mastering and re-working everything that fits the rat salad musical junket.... the platform for these amazing reworks is leos new glorys label (see further info below) theyre using traditional methods, old school tape edits and tracks fed half-speed through prehistoric valve amps & compressors to give them an extra rich sound and a unique rat salad double dollop of wallop

songs from the source is a lost and found 1973 recording of the source family. these twelve songs were recorded live in the hollywood hills as a rehearsal for a concert date that spirit of 76 - aka yahowah 13, the savage sons of yahowa, yodship, and firewaterair, now known as children of the sixth root race - had at the whisky. a 1/4 tape copy of the recording was found in chicago in 2006, though no one is really sure how it got there. djin aquarian, rhythm guitarist and songwriter for spirit of 76, recalls being sent on a mission to chicago later in 1973, where he believes he left the tape with an old friend. djin wrote most of the songs in the year before he joined with the source, as part of his solo mystical quest to help enlighten the world before it might annihilate itself, adding, im glad both the album and the world are still here.though this rehearsal wasnt meant to be released at the time, there are probably no other recordings as complete of the band doing these songs. the spirit of 76 had a different sound than the one yahowah 13 made with yahowa. songs from the source has more r n b grooved energy, with splashes of synth and organ, a female vocal chorus and streamlined fusion rhythms backing the uniquely yahowan lyrical populism of songs like godmen and lost dead but hoping. songs from the source is a miraculous missing piece of the sources positive musical movement. the members of yahowah 13 (djin, sunflower on bass, octavius on drums) were joined by family members ahom, aquariana, cinderella, rhythm, vibration, and zoroaster on lead guitar, to create the ecstatic sound of spirit of 76.

female disco rap crew from nyc 1982. the instrumental b is a big one for disco heads. originally released on the universal label. although jeremiah yisraels tap label only issued a handful of 12inches between 1981-83, the tape deck never stopped rolling, producing dozens of lavish songs in discos last days. from the string heavy sugar boogie of jackie stoudemire and arnie love to pioneering raps by missy dee & the melody crew and the fabulous 3 mcs.

another superb duo of edits from the ever on form disco deviance label! this time they ve recruited uk dj and producer super hero ashley beedle to add his celebrated heavy disco touch to these two lost classics. inner city express s little known cover of patrick adams killer dance & shake your tambourine is a joyous disco cut with a psychedelic flavour and truly amazing funk inspired breaks, dancefloor dynamite guaranteed. flip for a seriously skilled re edit of disco pornstar andrea true connections party line, taking the vibe of the original to a new level for modern floors. both edits were done on tape machines and manually spliced in...

feinster techno der dich durch die nacht klöppelt. ob im psychoaktiven original, im minimalen end of tape mix (gunjah & stachy ) oder im magisch verpeilten mix von insect o, etui 11 ist von vorne bis hinten eine geile platte. empfehlung

why not? ist das vierte album von superpunk und es ist die verdammt nochmal das beste weit und breit, eine steigerung, eindeutig ... es ist spa?, wo kein spa? ist, es sind perlen vor die s?ue einer kultur, die gesungene diddelmausgru?karten f?r pop h?lt.

new bomb from west london don phil asher..... phash continues his raw fusion escapades with this recycled and well improved reggae groove made in a true restless soul spirit. together with uk singer shea soul and mc motet of the bugz crew, phil rocks the joints on this original brentford all stars sample and reboots it into the future of cyberspace. with nice punch bits like baby girl, im looking at the front door, motet slices it up and gives room for shea soul as she melts our hearts with her smooth vocal chords. and dubbed out of his mind, phil keeps going for an instrumental dub version where it (by way of the tape delay inferno) gets the true king tubby treatment.

maverick music icon miss kittin is set to release her second album, batbox in february 2008. two years in the making, and almost four years since the highly regarded i com, batbox comprises thirteen original songs, all composed whilst touring extensively throughout the world. the album further highlights kittins position as a powerful personality within the contemporary music industry. a true individual with the substance to support the uncompromising attitude she is recognised for, batbox is bursting with signature style kittin observations on modern life.

mobilee records kicks off 2008 with marcin czubala, their secret weapon from poland. czubala is back once again for his 3rd release on mobilee. his latest release creates a full package of minimal pleasure. marcin czubala will also be in attendance for the mobilee back to back tour across europe from feb-april. dont miss his excellent live performances

the package comes complete with mixes from hardsoul, sergio flores and dj prom and is to be one of the post-summer anthems of the year.not bad for a dat tape that was gathering dust in a house in the centre of amsterdam

second we are punks part comes with amazing electro tech tracks by miss kittin & the hacker, daniel wilhelm, robert m and frank kusserow

>space duster< already gets massive support from richie hawtin, sven vaeth and many more. great new artist on the fortek techno label with the original space duster dancefloor track by luciano pizzella! also included are the remixes from literon and stefan tretau.

wusstet ihr eigentlich, dass etui immer besser werden ? frisch, aufregend, abgefahren und am puls der zeit. so ist die >tombola der freisinnigen< auch kein puristischer konzeptzirkus sondern vielmehr eine musika- lische wundertüte der besonderen sorte mit gunjah, end of tape, alec troniq, mentalic, soeren matschiste und insect o. drin

nice price deal !!! formed of s windett on vocals / guitar and arp on drums, the pyramids are the louder, heavier, seedier little brother of archie bronson outfit. the two members of the archie bronson outfit who, during the long sessions for their remarkable second album, derdang derdang, felt a craving to crank out some instantaneous, lightning in a bottle rock n roll. recorded in a rickety barn deep in the countryside on an old 16 track tape (the same one which recorded pj harveys dry), hunch your body, love somebody is a raw and edgy song about fucking and getting over someone, and a taster of whats to come from the bands self titled debut album, due for release later this year. the songs for their spirited, sulphorous debut were written in a single weekend, observing the pyramids hunger for the moment. the takes captured on the album were often the duos second or third run through the song in question. comes in special pyramid shaped vinyl

baum records is a new label, which mainly will concentrate on deep dub techno and minimal techno. the first release is three track ep which are called buchenholz ep by resoe, who is the owner/founder of the label. moorpark is a deep track with fat chords and heavy bass for the dancefloor, which drags inspiration from the berlin heritage of basic channel. tsb is a more minimal track with smooth melodies that floats around in the wet space of reverbs and delays, but the deep chords still finds there way into the track. apart from space is a track of pure laidback mood with heavy dub influence, that just moves around in the spacious environment of plate reverbs and long tape delays.

offizieller reloop adapter welcher euch den anschluss eines gängigen plattenspielers per usb an den computer ermöglicht. es können auch andere audio quellen wie z.b. tape deck, cd player, md über cinch am iphono angeschlossen werden. kopfhörerausgang zum vorhören, phono line schalter, gain regler & kontrollanzeige sind ebenefalls vorhanden...

a brand new edit series coming out of the the south side of chicago. dicky moe has chosen two classics to bring back those deep dirty chicago roots of editing disco for the dancefloor.on the a side made in the usas melodies gets a classic ron hardy style pause tape edit.on the flip its harvey masons groovin you that gets a deep chicago disco style extension on the intro and just the right touches to the breakdowns

two hot electro tunes featuring roxanne shante and cleo torres

introducing echospace detroit the stunning new imprint from rod modell of deep chord and steve hitchell aka soultek. kicking off with the amazing >vantage isle< (triple lp) by deep chord which features the first ever remix by our favourite, convextion. written & produced by rod modell & mike schommer especially for their incredible performance @ the detroit electronic music festival. re-mastered and transferred from reel to reel tape recordings by rod modell then mastered and cut by ron murphy @ nsc. limited edition. includes two individual 12inchs and a clear 7inch pressed on lush smoked vinyl.